This homage to Picasso arranges a meeting
in light and space between the painting "Guernica" and the
etching "Minotauromachia".
A painting and an etching leave their two-dimensional boundaries and
venture into the world of space and light. Being thus transposed,
the two-dimensional objects are turned into three-dimensional subjects
engaged in an interactive play of light-shadow rhythm. Light now is
a real quality and activity, dominating form by filling the
contours of the drawing cut into the steel plate.
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